Descriptive Transcript for "The Matrix Resurrections – Official Trailer 1"
0:00 - 0:05
The trailer opens with a sweeping aerial shot of a futuristic cityscape, likely a digital simulation resembling the Matrix, with towering skyscrapers and a greenish digital hue. The iconic green digital rain code cascades across the screen, a hallmark of the Matrix universe. A low, pulsating electronic beat begins, setting a tense and mysterious tone. The Warner Bros. Pictures logo appears briefly.
0:06 - 0:15
The scene transitions to a close-up of Thomas Anderson (Keanu Reeves), sitting in a therapist’s office. He appears older, with long hair and a beard, looking contemplative. The therapist, played by Neil Patrick Harris, wearing blue-tinted glasses, asks, “What do you see when you close your eyes, Thomas?” The camera lingers on Thomas’s face as he responds, “I see... nothing.” The background is softly lit, with a modern, sterile office setting. The music intensifies with a subtle synth hum.
0:16 - 0:25
Quick cuts show Thomas walking through a crowded urban street, the city buzzing with activity. People are engrossed in their devices, their faces illuminated by screens, hinting at the Matrix’s control. A voiceover, possibly Trinity’s (Carrie-Anne Moss), says, “The world feels different now.” Flashes of Thomas taking blue pills from a prescription bottle appear, suggesting he’s suppressing memories or reality. The visuals are crisp, with a mix of neon lights and muted tones.
0:26 - 0:35
The trailer shifts to a dreamlike sequence. Thomas sees fragmented visions: a black cat crossing his path, a mirror reflecting his younger self from the original Matrix. The Jefferson Starship song “White Rabbit” begins playing softly, its lyrics (“One pill makes you larger...”) adding a psychedelic vibe. A woman with blue hair (Jessica Henwick) approaches Thomas in a coffee shop, saying, “You look familiar. Have we met?” Her intense gaze suggests she knows more than she lets on.
0:36 - 0:50
The pace accelerates. Trinity appears, also older, sitting across from Thomas in the same coffee shop. Their eyes lock, and she asks, “Do I know you?” The chemistry between them is palpable, hinting at their past connection. The trailer cuts to rapid-fire images: Thomas staring at a red pill in his hand, a group of people in a dojo-like setting training in martial arts, and a swarm of digital agents materializing in the street. The music swells, with electric guitar riffs amplifying the tension.
0:51 - 1:10
Action sequences dominate. Thomas, now resembling the Neo we know, dons a black trench coat and sunglasses. He’s seen dodging bullets in slow motion, bending backward in the iconic “bullet time” style. The blue-haired woman, revealed to be a new ally, fights alongside him, executing high-flying kicks. Explosions erupt in the city, and a helicopter crashes into a skyscraper, sending glass shards flying. A voiceover, possibly Morpheus (played by Yahya Abdul-Mateen II), says, “Time to wake up, Neo.” The new Morpheus, younger and stylish, hands Neo a red pill, smirking confidently.
1:11 - 1:30
The trailer dives deeper into the Matrix’s surreal nature. Neo and Trinity run across a rooftop, pursued by agents. The world glitches—buildings warp, and streets fold like paper. A shot shows Neo stopping bullets mid-air with a raised hand, his powers returning. Trinity leaps off a building, soaring through the air, her body glowing with digital energy. The “White Rabbit” lyrics grow louder: “Feed your head!” The visuals are chaotic yet mesmerizing, blending practical stunts with CGI.
1:31 - 1:50
The tone shifts to emotional stakes. Neo and Trinity stand face-to-face, their hands almost touching, as a bright light envelops them. A new character, possibly a villain (Jonathan Groff), sneers, “You can’t escape the system.” Quick cuts show a massive digital construct collapsing, with Neo and Trinity at its center. Morpheus’s voiceover returns: “The Matrix is stronger than ever, but so are you.” The music hits a crescendo, blending orchestral and electronic elements.
1:51 - 2:10
The final act of the trailer is a montage of high-octane action. Neo fights a swarm of agents in a subway, his movements fluid and precise. Trinity wields a motorcycle as a weapon, smashing through enemies. The blue-haired woman hacks into a terminal, revealing layers of code. A massive explosion engulfs a city block, and Neo levitates, his silhouette glowing against a green digital sky. The “White Rabbit” song peaks, with the lyrics “Go ask Alice, when she’s ten feet tall.”
2:11 - 2:30
The trailer slows for a poignant moment. Neo and Trinity stand on a rooftop, the city sprawling below. Trinity whispers, “What if we’re still in the dream?” Neo replies, “Then we keep fighting.” They clasp hands and leap off the building together, falling into a void of light. The screen cuts to black, and the title “The Matrix Resurrections” appears in glowing green letters, accompanied by a deep bass thrum. The release date, “December 22, 2021,” flashes, followed by the Warner Bros. and Village Roadshow logos.
2:31 - 2:36
The trailer ends with a brief post-title scene: Neo waking up in a pod, covered in biomechanical tendrils, gasping as he breaks free. The screen fades to black, and the music cuts abruptly, leaving a lingering sense of anticipation.
Notes on Tone and Style
The trailer balances nostalgia with innovation, reintroducing familiar elements like the green digital rain, blue and red pills, and “bullet time” while introducing new characters and a visually stunning update to the Matrix’s aesthetic. The use of “White Rabbit” ties the trailer to the original film’s countercultural roots, while the action sequences emphasize a faster, more kinetic pace. The emotional core revolves around Neo and Trinity’s reconnection, hinting at themes of memory, identity, and resistance against a more advanced Matrix.
Source Information
This transcript is based on the official trailer available on YouTube, uploaded by Warner Bros. Pictures on September 9, 2021. The description aligns with the visual and auditory elements present in the video at the time of access.